Again, this could have turned into a clichéd international-accented soup, but despite a couple of exaggerated mis-steps, it stays grounded. Rani is given interesting companions: in Amsterdam, she is handed a multi-cultural trio, a vertically challenged Japanese, a black Frenchman, and a good looking Spaniard, as well as a dishy Italian.
#2 HEARTS MOVIE REVIEW FREE#
The story, which could easily have slipped into mush, stays free of drippy sentimentality, barring one or two raised-violin scenes. Lucking into a long-legged hotel maid Vijay Lakshmi (Lisa Haydon) is the first departure from standard Bollywood practice: this other Vijay takes Rani under her wing, drags her into a store with lovely Parisian clothes (these Paris maids are not just drop dead sexy, and enjoy their libido, they can afford all those designer threads?), and generally hand-holds Rani for an enjoyable spell.īahl’s second directorial venture is a delight: his first, ‘Chillar Party’, had some spark, but nothing prepared me for this. She does make silly touristy mistakes, nearly gets mugged but doesn’t let it get to her, and discovers she has a spine after all. A lone Indian girl, a ‘behenji’ with a ‘desi ghee tadka’, would usually fumble her way across crowded streets and annoyed pedestrians and find herself in a handsome stranger’s arms, sing a few songs, do a few ‘nakhras’ and gratefully accept ‘mandap’ and ‘mangalsutra’.īut not Rani aka Queen. Two parallel love stories occuring during different time periods converge dramatically in Lance Hool's romantic drama '2 Hearts. We assume he’s hiding it, but then it turns out that she knows, which is a major dramatic glitch.Big Punjabi weddings and Bollywood have had a long relationship, but where ‘ Queen‘, both the girl and the film, start coming into their own, is when Rani is left to fend for herself, first in Paris, and then Amsterdam. Movies Movie Reviews ‘2 Hearts’: Film Review. (The doctor only gave him to the age of 20.) He’s got one of those tell-tale movie coughs, and for all the hoariness of that device the movie is so slipshod that there’s never a scene in which he full-on tells Leslie about his condition (which, given that she wants to have a ton of kids, she’d have a right to know about).
These two, likewise, are all goo-goo-eyed bliss, except that Jorge hasn’t told her his secret - that he has a lung condition he could die from at any moment. The movie features so much saccharine flirtatious fumbling that each shyly awkward pause and interrupted sentence sounds painfully scripted, and when Chris does his hey-I’m-not-trying-to-be-cool dance moves, it’s cringe-worthy enough to make you want to crawl under whatever piece of furniture you’re sitting on.Īs Chris and Sam drift through their impossibly perfect and self-satisfied YA courtship, the film keeps flashing back to the idealized but not quite as annoying romance between Jorge (Adan Canto), the wealthy Cuban-American scion of a family that owns a rum company (the character he’s based on is one of the Bacardis), and Leslie ( Radha Mitchell), the stewardess - a term that’s used quite pointedly for its retro cachet - who he meets on a flight and starts jet-setting to places like Hawaii to woo. And that voice! It practically growls with self-adoring preppie privilege he’s like the world’s nicest frat-house douche. He raises his eyebrows as if manipulating them by pulleys, staring with overly telegraphed puppy-dog sensitivity.
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